Oh, to be Stranding

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I’m right in the middle of knitting two prototype sweaters, trying to be very loyal to my large earth-colored projects, however, someone has very thoughtfully reminded me of how much I adore multi-color stranded knitting. Claire from NH Knits, contacted me a few days ago to share the news of her Stranded Colorwork Mitten KAL on Ravelry (I will be contributing a Base 8 pattern as a prize!) and now I can’t get the image of colorful mittens out of my head. I should put all my yarn under lock and key to reduce temptation. But maybe I could just design a little something in the meantime….

Knitwear in the Wild

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A few weeks ago, the Dude eschewed his typical high-tech outdoor garments and donned some handknit woolens for a day on the snow. Check out Horno and Going Stag being put to good use:

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While I grew up swaddled in wool, the Dude is a more recent convert to the amazing temperature regulating and self rejuvenating qualities of animal fibers. As a matter of fact, he’s become such a strong convert, he keeps trying to convince me I should knit all his outdoor garments. . . .

A Really Big Swatch

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A.K.A. the first sleeve.

Even though knitting patterns usually list the instructions for the sweater body before the sleeves, I almost always knit the sleeves first. Even if I’ve worked a gauge swatch and feel fairly confident that I’m on track size-wise, I like the idea of getting at least one sleeve knit, and blocked, to double check myself before I tackle the body. It’s not the end of the world to rip out and rework a sleeve, if necessary, but the heartache of learning that an entire sweater is wrong – aaagh! Plus, working the sleeves after the body always seems like a cruel interruption – the finish line seems so close, except for those two pesky appendages.

So, with my newest design, I have, of course, worked the sleeves first, and I did learn a few lessons. The sleeve stitches are just a bit narrower and longer than my swatch stitches. This is not a shocking revelation. I’m creating a fairly open fabric with a bit of drape this go-around, and in the past I’ve discovered that with a larger piece of a loose-ish knit fabric, the gauge can shift a bit. In this case, it’s no biggie. I will pull out a few rows to shorten the length of the first sleeve, and since I have skinny scarecrow arms, the width isn’t a problem – although I will adjust the stitch counts a bit when I write up the pattern. I did, however, take the opportunity to rework the stitch and row counts for the body before I cast on. I also learned that my tubular cast on at the wrist wasn’t quite as elastic as I wanted, so I adjusted my tubular technique when I cast on the hip cuff – I definitely want to make sure I have a bit of give there!
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Also, keep in mind, when using a sleeve as a big swatch, blocking is an important part of the process. Here you can see one blocked sleeve (above), and one unblocked. It’s really hard the get a sense of the drape and fit of the bottom sleeve and I probably could have fooled myself that it would be perfect once it had a bath and a bit of a wrangling on a blocking mat.